After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband’s grieving rage.
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We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Based on the true story of Lindy Chamberlain: During a camping trip to Ayers Rock in outback Australia, she claims she witnessed a dingo taking her baby daughter, Azaria, from the family tent. Azaria’s body is never found. After investigations and two public inquests, she is charged with murder. The case attracts a lot of attention, turning it into a media sideshow.
While working undercover as a bodyguard to arms dealer Harry, former-soldier-turned-secret-service-agent Ewan survives a bloody shootout with a member of an Islamic terrorist cell who steals Harry’s briefcase full of Semtex explosives and escapes. Ewan’s spymasters task Ewan with hunting down the cell members and retrieving the briefcase.
After being fired, Rebecca hours back to her old home town to attend her friends wedding on Christmas Eve and visit her mother. But when she tries to return home she finds she must relive Christmas Eve over and over until she gets it right.
Jeong Yoon is a caring wife and mother and a sensitive woman who finds herself plunged into a legal ordeal thousands of miles from home. After years of planning, she and her husband Jong Bae open an auto body repair shop, only to see everything they’ve worked for stripped away when a loan Jong Bae had guaranteed defaults. Facing financial despondency, the couple gets into a vicious fight about money, sending Jeong Yeon away, leaving only a cryptic note saying she’ll be back in a few days. When she turns up looking nervous at Orly Airport in Paris with over 30 kilograms of cocaine in her luggage, it is the beginning of a globe-spanning nightmare that began with an old friend and a tempting proposition.