Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a soverign and wild region.
The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.
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Worried that he has gotten the free-spirited Mindy pregnant after an unprotected one-night stand, Fred feigns romantic interest and sticks by her side for twelve hours to make sure she takes both doses of the morning-after pill.
Rex is an old man who is bitter about never becoming famous and having lived a life without any meaning. After suffering a stroke, he ends up in a nursing home staffed by Latin American immigrants. Put off by the situation, he focuses his energy on getting out, which places him at odds with the Latino workers. However, their relationship takes on new meaning when it is discovered that he once shook hands with Vicente Fernandez, a Mexican singer, producer and actor idolized throughout Latin culture. The employees soon begin to treat Rex like the celebrity he’s always dreamed of being.
A vicious gang of crooks plan to steal the wages of a local factory, but their carefully laid plans go wrong, when the factory employs an armoured van to carry the cash. The gang still go ahead with the robbery, but when the driver of the armoured van is killed in the raid, his wife plans revenge, and with the police closing in, the gang start to turn on each other.
Sylvia has turned a blind eye for too long to husband Eddie’s flourishing drug business. When his dealing takes a (deadly) turn for the worse, however, her need to protect the lives and futures of her young children compel her to flee. But Eddie will stop at nothing to keep his wife inside the ‘family’.